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Speculating
on the Blue

Speculating on the Blue is a site specific installation conceived by Flaka Haliti for the Kosovo Pavilion at the Biennale Arte. With this work she addresses the topos of borders that are not only part of her personal history but also our everyday global reality. The artist specifically examines the features of the borderland, often deserted and seemingly decaying within a short period of time. Barriers are manmade manifestations of political decisions made about territories, which are often drawn with little regard for natural and ethnical boundaries. Haliti aims at de-militarizing and de-familiarizing the aesthetic regime that is embodied by physical borders through the creation of a counter image. In doing so she transforms the former into a sign of optimism. Her approach is one of recontextualizing global politics through disconnection from its regime of appearance. The metaphor of the horizon, simultaneously emblem of possibility and enigma of our limitations is woven into the fabric of our past and present. By drawing on the universal meaning of this metaphor, the artist removes the image economy of the horizon from any specific spatial-temporal context and speculates on its validity as an eternal truth.